Urban Creativity
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We would like to congratulate all those that were involved in the Lisbon Street Art and Urban Creativity International Conference (3rd, 4th and 5th of July 2014) particularly those that attended the Conference, the Honour Committee Members,the Scientific Comittee Memebers, Session Chairman, Delegates and Volunteers; also all those involved in divulgation and sponsorship. Finally, to the R&D Units involved by supporting the Conference institutionally: the Art History Institute (FCSH/UNL) and the Artistic Studies Research Centre (FBA/UL).

Your outputs are significant for the Executive Committee as it will illustrate two important points: how to improve and make more productive meetings and work sessions for research sharing; and on the other hand, to consolidate future potential strategic partnerships.

For this purpose we have created a mini quiz.

The publication of the full papers, as announced at the Closing Session, will be implemented at the latest by the end of the year. Certificates, receipts and other elements will be handled case by case.

Also, we hope to contact you soon with a set of new features that we are sure will be to your liking. If for some reason you are not included in our mailing list you may do it so here:
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Presentation

Over the past decades, certain creative actions in the city have centered the debate around whether considering them an aggression on the city and its users, whether interpreting them as, not only a sociological and anthropological response but also, an “artistic” or constructive reaction to the built environment.

In 2008, the Tate exhibition, Street Art at Tate re-centered the debate around these practices, being preceded and followed by further exhibits in museums, galleries and other institutions. The responsible for Street Art at Tate (Cedar Lewisohn) accepted our invitation and will be one of the keynote speakers at the Lisbon Street Art & Urban Creativity International Conference.

Lisbon has been “put in the map” of such phenomenon (substantially) by CRONO project developed among others by Pedro Soares Neves who is also one of the Conference’s organizers. Apart from the opened call for papers, which resulted in a wide selection of Portuguese International (after double blind peer review) articles, several researchers and practitioners also accepted our invitation to address the public during the Conference.


This conference is institutionally framed by the Art History Institute/line of Contemporary Art Studies (IHA/CASt) of The Faculty of Social Sciences and Humanities – NOVA University of Lisbon; and the Artistic Studies Research Centre (CIEBA) of the Faculty of Fine Arts, University of Lisbon.


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