Volume 1 / 2015
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Number 1 - Methodologies for Research
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Number 2 - Places and non Places
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In the aftermath of the Lisbon Street Art & Urban Creativity International Conference (3-4 July 2014) the Executive Committee of the conference intends to promote and foster the existence of broader approaches to the conference's outcomes.
The Street & Urban Creativity International Research Topic will develop actions to generate stronger articulations between researchers through collective applications, applied researches and publishing material.
Journal (Vol.1, nº1 and 2) printed version available
The 1st Volume of the Street Art & Urban Creativity Scientific Journal is online for download and now can also be acquired in paper format trough the following links:
Number 1 http://www.amazon.com/Street-Art-Urban-Creativity-Journal/dp/1522943501
Number 2 http://www.amazon.com/Street-Urban-Creativity-Journal-Methodolologies/dp/1522943382
This two numbers joined the 2014 Lisbon Street Art & Urban Creativity international conference book that is available for purchase here: http://www.amazon.co.uk/Lisbon-Street-Urban-Creativity-International/dp/9892051386
2015 Volume 1, number 1 - Methodologies for Research
Articles
Jacopo Leveratto, Department of Architecture and Urban Studies - Politecnico di Milano
Planned to be reclaimed: Public design strategies for spontaneous practices of spatial appropriation
David Novak, University of Malaya, Cultural Centre, Kuala Lumpur, Malaysia
Photography and classification of information: Proposed framework for Graffiti Art
Susan Hansen, Danny Flynn, Middlesex University, London Metropolitan University
Longitudinal photo-documentation: Recording living walls
Ulrich Blanché, Heidelberg University, Germany
Street Art and related terms – discussion and working definition
Martin de la Iglesia, Heidelberg University, Institute for European History of Art
Towards the scholarly documentation of street art
Larissa Begault, Julia Borowicz, Parsons School of Design - The New School, New York
Methodologies for reconstructing new landscapes of consumption and production
Vittorio Parisi, U. Paris 1, Panthéon-Sorbonne, Aesthetics and Cultural Studies Institut - ACTE
The Sex of Graffiti – Urban art, women and “gender perception”: testing biases in the eye of the observer
Antje Akkermann / (no affiliation provided)
Berlin “…and I want to paint it black!?” What strategies are there to undermine the reclamation of street art for profit and support public engagement for the interests of citizens?
Basma Hamdy, Graphic Design Department, Virginia Commonwealth University in Qatar
Walls of freedom: Process and methodologies
Gemma Galdon Clavell, Liliana Arroyo Moliner, Eticas Research & Consulting, Marcus Willcocks, Gamze Toylan, Adam Thorpe, University of the Arts London Central Saint Martins
The hands behind the cans
Johanna Steindorf, Bauhaus-Universität Weimar, Germany
Unfolding Spaces of My Memory: Female Migration through Audio
Elena García Gayo, Cultural Property Conservator and Restorer in Council of Ciudad Real, Spain
Street art conservation: The drift of abandonment
Article Review
Katja Glaser, Locating Media, University of Siegen, Germany
Reviewed article: Derwanz, H., 2013. Street Artists. Careers on the Art and Design Markets
2015 Volume 1, number 2 - Places and non Places
Articles
Katja Glaser, Locating Media, University of Siegen, Germany
The ‘Place to Be’ for Street Art Nowadays is no Longer the Street, it´s the Internet
Ana Filomena Curralo, School of Technology and Management, ESTG-IPVC, Viana do Castelo
Preserving Urban Heritage and Creativity: The Reuse of the AXA Building in Porto
Sabrina DeTurk, Zayed University, College of Arts and Creative Enterprises, Dubai
The “Banksy Effect” and Street Art in the Middle East
António Gorgel Pinto, School of Architecture - University of Lisbon
Mapping Creativity through Socially Engaged Visual Arts, Art Projects in two Amadora Neighborhoods
Helena Elias, School of Communication, Architecture, Arts and Information Technologies, Lisbon
From squares to walls: contemporary murals of OSGEMEOS, Nunca and Bicicleta sem Freio in Lisbon
Theodore Kuttner, Universität Hamburg Department of Art History, Hamburg
OSGEMEOS and the Institutionalization of Street Art: Cyclical Narratives
Luis Menor, Institut de Govern i Polítiques Publiques (IGOP), Autonomous U. of Barcelona
Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case
Teresa Lousa, Faculty of Fine Arts, University of Lisbon
Street Artist: Urban Flanêurie
Giovanni Caffio, Dipartimento di Architettura, U. degli Studi “G. d’Annunzio”, Chieti-Pescara, Italy
Surveying New Muralism in Italy: Urban Art Interventions for the Regeneration of Turin’s Architectural Heritage
Ágata Dourado Sequeira, ISCTE-IUL, University Institute of Lisbon
Letting the walls of the city speak: The route of a sociological research project on Lisbon’s street art
Scott Joseph Budzynski, (no affiliation provided) Art History, Berlin
Modes of Spatial Exploration in Berlin: Collaborating with Knut Eckstein on Subverting the City
Invited author
Malcolm Jacobson, Dokument Press, Sweden
The dialectics of graffiti studies a personal record of documenting and publishing on graffiti since 1988
Articles
Jacopo Leveratto, Department of Architecture and Urban Studies - Politecnico di Milano
Planned to be reclaimed: Public design strategies for spontaneous practices of spatial appropriation
David Novak, University of Malaya, Cultural Centre, Kuala Lumpur, Malaysia
Photography and classification of information: Proposed framework for Graffiti Art
Susan Hansen, Danny Flynn, Middlesex University, London Metropolitan University
Longitudinal photo-documentation: Recording living walls
Ulrich Blanché, Heidelberg University, Germany
Street Art and related terms – discussion and working definition
Martin de la Iglesia, Heidelberg University, Institute for European History of Art
Towards the scholarly documentation of street art
Larissa Begault, Julia Borowicz, Parsons School of Design - The New School, New York
Methodologies for reconstructing new landscapes of consumption and production
Vittorio Parisi, U. Paris 1, Panthéon-Sorbonne, Aesthetics and Cultural Studies Institut - ACTE
The Sex of Graffiti – Urban art, women and “gender perception”: testing biases in the eye of the observer
Antje Akkermann / (no affiliation provided)
Berlin “…and I want to paint it black!?” What strategies are there to undermine the reclamation of street art for profit and support public engagement for the interests of citizens?
Basma Hamdy, Graphic Design Department, Virginia Commonwealth University in Qatar
Walls of freedom: Process and methodologies
Gemma Galdon Clavell, Liliana Arroyo Moliner, Eticas Research & Consulting, Marcus Willcocks, Gamze Toylan, Adam Thorpe, University of the Arts London Central Saint Martins
The hands behind the cans
Johanna Steindorf, Bauhaus-Universität Weimar, Germany
Unfolding Spaces of My Memory: Female Migration through Audio
Elena García Gayo, Cultural Property Conservator and Restorer in Council of Ciudad Real, Spain
Street art conservation: The drift of abandonment
Article Review
Katja Glaser, Locating Media, University of Siegen, Germany
Reviewed article: Derwanz, H., 2013. Street Artists. Careers on the Art and Design Markets
2015 Volume 1, number 2 - Places and non Places
Articles
Katja Glaser, Locating Media, University of Siegen, Germany
The ‘Place to Be’ for Street Art Nowadays is no Longer the Street, it´s the Internet
Ana Filomena Curralo, School of Technology and Management, ESTG-IPVC, Viana do Castelo
Preserving Urban Heritage and Creativity: The Reuse of the AXA Building in Porto
Sabrina DeTurk, Zayed University, College of Arts and Creative Enterprises, Dubai
The “Banksy Effect” and Street Art in the Middle East
António Gorgel Pinto, School of Architecture - University of Lisbon
Mapping Creativity through Socially Engaged Visual Arts, Art Projects in two Amadora Neighborhoods
Helena Elias, School of Communication, Architecture, Arts and Information Technologies, Lisbon
From squares to walls: contemporary murals of OSGEMEOS, Nunca and Bicicleta sem Freio in Lisbon
Theodore Kuttner, Universität Hamburg Department of Art History, Hamburg
OSGEMEOS and the Institutionalization of Street Art: Cyclical Narratives
Luis Menor, Institut de Govern i Polítiques Publiques (IGOP), Autonomous U. of Barcelona
Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case
Teresa Lousa, Faculty of Fine Arts, University of Lisbon
Street Artist: Urban Flanêurie
Giovanni Caffio, Dipartimento di Architettura, U. degli Studi “G. d’Annunzio”, Chieti-Pescara, Italy
Surveying New Muralism in Italy: Urban Art Interventions for the Regeneration of Turin’s Architectural Heritage
Ágata Dourado Sequeira, ISCTE-IUL, University Institute of Lisbon
Letting the walls of the city speak: The route of a sociological research project on Lisbon’s street art
Scott Joseph Budzynski, (no affiliation provided) Art History, Berlin
Modes of Spatial Exploration in Berlin: Collaborating with Knut Eckstein on Subverting the City
Invited author
Malcolm Jacobson, Dokument Press, Sweden
The dialectics of graffiti studies a personal record of documenting and publishing on graffiti since 1988
