Volume 2 / 2016
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Number 1 - Center Periphery: Practice
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Number 2 - Center Periphery: Theory
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In the aftermath of the Lisbon Street Art & Urban Creativity International Conference (June 2015) the Executive Committee of the conference intends to promote and foster the existence of broader approaches to the conference's outcomes. The Street & Urban Creativity International Research Topic will develop actions to generate stronger articulations between researchers through collective applications, applied researches and publishing material.
Journal (Vol.2, nº1 and 2) printed version available
The Volume 2 of the Street Art & Urban Creativity Scientific Journal is online for download and now can also be acquired in paper format trough the following links:
Number 1 - https://www.amazon.com/Street-Art-Urban-Creativity-Journal/dp/1540732029/ref=sr_1_5?ie=UTF8&qid=1481554250&sr=8-5&keywords=pedro+soares+neves
Number 2 - https://www.amazon.com/Street-Art-Urban-Creativity-Journal/dp/1540734129/ref=sr_1_4?ie=UTF8&qid=1481554043&sr=8-4&keywords=pedro+soares+neves
This two numbers joined the Volume 1 of the Street Art & Urban Creativity Scientific Journal
Number 1 http://www.amazon.com/Street-Art-Urban-Creativity-Journal/dp/1522943501
Number 2 http://www.amazon.com/Street-Urban-Creativity-Journal-Methodolologies/dp/1522943382
and the 2014 Lisbon Street Art & Urban Creativity international conference book that is available for purchase here: http://www.amazon.co.uk/Lisbon-Street-Urban-Creativity-International/dp/9892051386
2016 Volume 2, number 1 - Center, Periphery: Practice
Articles
Ulrich Blanché, Assistant Professor, Heidelberg University, Germany
Keith Haring - a Street Artist?
Jose Cuevas, Multimedia Art: Photography, Faculty of Fine arts, Lisbon
The concept of centre-periphery in the work of Daido Moriyama.
Chris Parkinson, U. Melbourne | Faculty of VCA and MCM | Centre for Cultural Partnerships
Passing Through Walls: The transfiguration and circulation of graffiti from East Timor.
Benjamin Juarez, CIECS-CONICET, Córdoba, Argentina
The visual and social indeterminacy of pixação: the inextricable moods of São Paulo
Kata Murányi, School of Earth Sciences, Institute of Geography, University of Pécs, Hungary
Murals of Budapest in the age of creative cities
Essay
Lucas-Matray, Aix Marseille University, France
Public space, urban art and social inclusion: a Street Art festival in Aix-en-Provence
Invited authors
Peter Bengtsen, Art History and Visual Studies, Lund University, Sweden
Hijacking Banksy: using a contemporary art mystery to increase academic readership
Ronald Kramer, University of Auckland, New Zealand
The elusive nature of critical codes: Graffiti writing culture in film
2016 Volume 2, number 2 - Center, Periphery: Theory
Articles
Ricardo Klein, Center for the Study of Culture, Politics and Society, Barcelona.
Faculty of Social Sciences, Uruguay
Creativity and territory: The construction of centers and peripheries from graffiti and street art
Hely Costa Júnior, Universidade Estácio, Rio de Janeiro, Brazil
Anonymous Inscriptions in Rio de Janeiro Resistance and informal urban communication on the streets
Marcus Willcocks and Gamze Toylan, Central Saint Martins, University of the Arts, London
In search of a commons of centers - reviewing values and methods designed to assert benefit,
harm or opportunity among uncommissioned visual urban practices
Erik Hannerz, Department of Sociology, Lund University, Sweden
Scrolling down the line – a few notes on using Instagram as point of access for graffiti research
Essays
Hela Zahar, Jonathan Roberge, Centre Urbanisation Culture Société (UCS), Québec
Street Art: Visual scenes and the digital circulation of images
Jonas Rehm and Christos Voutichtis, Johann Wolfgang Goethe-Universität, Frankfurt
No Place for Urban Art
Invited authors
Lachlan MacDowall, Centre for Cultural Partnerships, University of Melbourne, Australia
A Boneyard of Data: Graffiti and Street Art’s Temporalities
Javier Abarca, Independent researcher, Spain
From street art to murals: what have we lost?
Pedro Soares Neves, HERITAS-CIEBA/ CIDEHUS - UNESCO Intangible Heritage, Lisbon
Routledge Handbook of Graffiti and Street Art - Book Review
Articles
Ulrich Blanché, Assistant Professor, Heidelberg University, Germany
Keith Haring - a Street Artist?
Jose Cuevas, Multimedia Art: Photography, Faculty of Fine arts, Lisbon
The concept of centre-periphery in the work of Daido Moriyama.
Chris Parkinson, U. Melbourne | Faculty of VCA and MCM | Centre for Cultural Partnerships
Passing Through Walls: The transfiguration and circulation of graffiti from East Timor.
Benjamin Juarez, CIECS-CONICET, Córdoba, Argentina
The visual and social indeterminacy of pixação: the inextricable moods of São Paulo
Kata Murányi, School of Earth Sciences, Institute of Geography, University of Pécs, Hungary
Murals of Budapest in the age of creative cities
Essay
Lucas-Matray, Aix Marseille University, France
Public space, urban art and social inclusion: a Street Art festival in Aix-en-Provence
Invited authors
Peter Bengtsen, Art History and Visual Studies, Lund University, Sweden
Hijacking Banksy: using a contemporary art mystery to increase academic readership
Ronald Kramer, University of Auckland, New Zealand
The elusive nature of critical codes: Graffiti writing culture in film
2016 Volume 2, number 2 - Center, Periphery: Theory
Articles
Ricardo Klein, Center for the Study of Culture, Politics and Society, Barcelona.
Faculty of Social Sciences, Uruguay
Creativity and territory: The construction of centers and peripheries from graffiti and street art
Hely Costa Júnior, Universidade Estácio, Rio de Janeiro, Brazil
Anonymous Inscriptions in Rio de Janeiro Resistance and informal urban communication on the streets
Marcus Willcocks and Gamze Toylan, Central Saint Martins, University of the Arts, London
In search of a commons of centers - reviewing values and methods designed to assert benefit,
harm or opportunity among uncommissioned visual urban practices
Erik Hannerz, Department of Sociology, Lund University, Sweden
Scrolling down the line – a few notes on using Instagram as point of access for graffiti research
Essays
Hela Zahar, Jonathan Roberge, Centre Urbanisation Culture Société (UCS), Québec
Street Art: Visual scenes and the digital circulation of images
Jonas Rehm and Christos Voutichtis, Johann Wolfgang Goethe-Universität, Frankfurt
No Place for Urban Art
Invited authors
Lachlan MacDowall, Centre for Cultural Partnerships, University of Melbourne, Australia
A Boneyard of Data: Graffiti and Street Art’s Temporalities
Javier Abarca, Independent researcher, Spain
From street art to murals: what have we lost?
Pedro Soares Neves, HERITAS-CIEBA/ CIDEHUS - UNESCO Intangible Heritage, Lisbon
Routledge Handbook of Graffiti and Street Art - Book Review
