Volume 3 / 2017
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Number 1 - Intangible Heritage
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Number 2 - Knowledge Transfer
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Number 1 - Intangible Heritage - Print version here
Number 2 - Knowledge Transfer - Print version here
Open access download (press the images or download bellow), for more paper versions please follow the Subscription link.
Number 1 - Intangible Heritage
Download here (PDF 4,5 MB)
Table of contents:
Articles
Lisa Bogerts, M.A., Goethe University Frankfurt, Germany
Mind the trap: Street art, visual literacy, and visual resistance
Esther Fernández Castelo - Ph.D. researcher, History of Art, Complutense U. of Madrid, Spain Whisper finders: Learning from Shoreditch. March 2017
Jonna Tolonen, independent researcher, University of Lapland, Rovaniemi, Finland
Power of paint: Political street art confronts the authorities
Kata Murányi, PhD Candidate Faculty of Earth Sciences, University of Pécs, Hungary
Creative city practices in the Lusophone space: The case of São Paulo and Lisbon
Mona Helmy, Chair, Architecture Department, Dar Al-Hekma University, Jeddah, K. Saudi Arabia
Artscaping in public places: Jeddah, the city of urban art
Paris Xyntarianos-Tsiropinas, University of the Aegean, Syros, Greece
Design workshop: The case of creating a stencil mural
Rodrigo Pena Carvalho dos Anjos Craveiro, FA Universidade de Lisboa, Portugal
The influence of graffiti writing in contemporary typography
Maria da Luz Nolasco Cardoso, Independent researcher, Aveiro, Portugal
Graffiti or also “getting–up”: From site-specific to Web 2.0
Essays / Working papers
Eynat Mendelson-Shwartz Technion, - Israel Institute of Technology
Nir Mualam Technion Faculty of Architecture and Town Planning, Technion, Israel
Comparing mural art policies and regulations (MAPRs): Devising a new conceptual framework
Book Review
Pedro Soares Neves, FBAUL/ CIEBA, HERITAS/PD-FCT/BI/2015, Lisbon, Portugal
Graffiti and street art: Reading, writing and representing the city
Invited Authors
Malcolm Jacobson, Stockholm University, Department of Sociology, Sweden
Marketing with graffiti: Crime as symbolic capital
Javier Abarca, Madrid, Spain
Curating street art
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Number 2 - Knowledge Transfer
Download here (PDF 3,9 MB)
Table of contents:
Articles
Agata Wiórko PhD candidate at Catholic University of Portugal - Germany
Caring for creative possibility: Locality as heritage
Alice Nogueira Alves, CIEBA/Faculdade de Belas-Artes da Universidade de Lisboa - Portugal Why can’t our wall paintings last forever? The creation of identity symbols of street art
Aparajita Bhasin, Independent Researcher - India
Negotiating the tangible and the intangible: A case for street art festivals
Elena García Gayo Conservator Observatorio de Arte Urbano - Spain
From post-graffiti to contemporary mural art: The evolution of conservation criteria
Laima Nomeikaite, Institute for Cultural Heritage Research - Norway
Street art, heritage and embodiment
David Novak, University of Malaya, Cultural Centre, Kuala Lumpur, Malaysia
Historical dissemination of graffiti art
Rita L. Amor Garcia Ph.D. Candidate. Polytechnic University of Valencia (UPV). Valencia - Spain
When documenting doesn’t cut it: Opportunities and alternatives to intangible conservation
Sofia Pinto International Doctoral Program in Culture Studies, Catholic University - Portugal
The wall is dead, short live graffiti and street art! Graffiti, street art and the Berlin Wall´s heritage
Tuba Doğu Izmir Institute of Technology;
Sevcan Sönmez Yaşar University, Art and Design Faculty, Assistant Prof. - Turkey
Curating urban memories in connecting communities
Essays / Working papers
Katja Glaser, Independent researcher - Germany
From ‘either/or’ to ‘both/and’: Some thoughts on graffiti and street art conservation, curatorial practices and the handling of cultural heritage
Nicola Schiavottiello, Maria Zozaya-Montes - Italy, Portugal
Heritales: The film festival that brings heritage to the urban environment
Invited authors
Oliver Walker, Director, OllyStudio, Susan Hansen Middlesex University, London Made Corrections: A prison-based street art intervention for young offenders
Peter Bengtsen Department of Arts and Cultural Sciences, Lund University, Sweden
The myth of the “street artist”: A brief note on terminology
Lachlan MacDowall, Lecturer, Screen and Cultural Studies, University of Melbourne Cultural heritage and the ficto-critical method: The ballad of Utah and Ether
Miguel Honrado, The Secretary of State for Culture of Portugal
Paula Varanda, Diretora-Geral das Artes (MC Portugal)
Catarina Vaz Pinto, Council women for Culture, Lisbon City Council
