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  Volume 3 / 2017  

   Number 1  - Intangible Heritage
Picture
  Number 2 - Knowledge Transfer
Picture

Number 1 - Intangible Heritage - Print version here
Number 2 - Knowledge Transfer - Print version here

Open access download (press the images or download bellow), for more paper versions please follow the Subscription link.


Number 1 - Intangible Heritage
 Download here (PDF 4,5 MB)
 

Table of contents:

Articles

Lisa Bogerts, M.A., Goethe University Frankfurt, Germany
Mind the trap: Street art, visual literacy, and visual resistance


Esther Fernández Castelo - Ph.D. researcher, History of Art, Complutense U. of Madrid, Spain Whisper finders: Learning from Shoreditch. March 2017

Jonna Tolonen, independent researcher, University of Lapland, Rovaniemi, Finland
Power of paint: Political street art confronts the authorities

Kata Murányi, PhD Candidate Faculty of Earth Sciences, University of Pécs, Hungary
Creative city practices in the Lusophone space: The case of São Paulo and Lisbon

Mona Helmy, Chair, Architecture Department, Dar Al-Hekma University, Jeddah, K. Saudi Arabia 
Artscaping in public places: Jeddah, the city of urban art

Paris Xyntarianos-Tsiropinas, University of the Aegean, Syros, Greece
Design workshop: The case of creating a stencil mural

Rodrigo Pena Carvalho dos Anjos Craveiro, FA Universidade de Lisboa, Portugal
The influence of graffiti writing in contemporary typography

Maria da Luz Nolasco Cardoso, Independent researcher, Aveiro, Portugal
Graffiti or also “getting–up”: From site-specific to Web 2.0


Essays / Working papers

Eynat Mendelson-Shwartz Technion, - Israel Institute of Technology
Nir Mualam Technion Faculty of Architecture and Town Planning, Technion,
 Israel  
Comparing mural art policies and regulations (MAPRs): Devising a new conceptual framework


Book Review

Pedro Soares Neves, FBAUL/ CIEBA, HERITAS/PD-FCT/BI/2015, Lisbon, Portugal
Graffiti and street art: Reading, writing and representing the city


Invited Authors

Malcolm Jacobson, Stockholm University, Department of Sociology, Sweden
Marketing with graffiti: Crime as symbolic capital

Javier Abarca, Madrid, Spain
Curating street art


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Number 2 - Knowledge Transfer
Download here (PDF 3,9 MB)
 

Table of contents:

Articles
​
Agata Wiórko PhD candidate at Catholic University of Portugal - Germany
Caring for creative possibility: Locality as heritage

Alice Nogueira Alves, CIEBA/Faculdade de Belas-Artes da Universidade de Lisboa - Portugal Why can’t our wall paintings last forever? The creation of identity symbols of street art

Aparajita Bhasin, Independent Researcher - India
Negotiating the tangible and the intangible: A case for street art festivals

Elena García Gayo Conservator Observatorio de Arte Urbano - Spain
From post-graffiti to contemporary mural art: The evolution of conservation criteria

Laima Nomeikaite, Institute for Cultural Heritage Research - Norway
Street art, heritage and embodiment


David Novak, University of Malaya, Cultural Centre, Kuala Lumpur, Malaysia
Historical dissemination of graffiti art

Rita L. Amor Garcia Ph.D. Candidate. Polytechnic University of Valencia (UPV). Valencia - Spain
When documenting doesn’t cut it: Opportunities and alternatives to intangible conservation

Sofia Pinto International Doctoral Program in Culture Studies, Catholic University - Portugal
The wall is dead, short live graffiti and street art! Graffiti, street art and the Berlin Wall´s heritage

Tuba Doğu Izmir Institute of Technology;
Sevcan Sönmez Yaşar University, Art and Design Faculty, Assistant Prof. - Turkey
Curating urban memories in connecting communities


Essays / Working papers

Katja Glaser, Independent researcher - Germany
From ‘either/or’ to ‘both/and’: Some thoughts on graffiti and street art conservation, curatorial practices and the handling of cultural heritage

Nicola Schiavottiello, Maria Zozaya-Montes - Italy, Portugal
Heritales: The film festival that brings heritage to the urban environment


Invited authors

Oliver Walker, Director, OllyStudio, Susan Hansen Middlesex University, London Made Corrections: A prison-based street art intervention for young offenders

Peter Bengtsen Department of Arts and Cultural Sciences, Lund University, Sweden
The myth of the “street artist”: A brief note on terminology

Lachlan MacDowall, Lecturer, Screen and Cultural Studies, University of Melbourne Cultural heritage and the ficto-critical method: The ballad of Utah and Ether

Miguel Honrado, The Secretary of State for Culture of Portugal

Paula Varanda, Diretora-Geral das Artes (MC Portugal)

​Catarina Vaz Pinto, Council women for Culture, Lisbon City Council







​



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